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Keesing, Roger and Robert Tonkinson, eds. 1982. “Reinventing Traditional Culture: The Politics of Kastom in Island Melanesia”. Mankind 13 (4). Keyes, C. 1976. “Towards a New Formulation of the Concept of Ethnic Group” Ethnicity 3 (3): 202-213. Kirshenblatt-Gimblett, Barbara. 1998. Destination Culture: Tourism, Museums, and Heritage. Berkeley: University of California Press. (Publisher Comments: Destination Culture takes the reader on an eye-opening journey from ethnological artifacts to kitsch. Posing the question, "What does it mean to show?" Barbara KirshenblattGimblett explores the agency of display in a variety of settings: museums, festivals, world's fairs, historical re-creations, memorials, and tourist attractions. She talks about how objects -- and people -- are made to "perform" their meaning for us by the very fact of being collected and exhibited, and about how specific techniques of display, not just the things shown, convey powerful messages. Her engaging analysis shows how museums compete with tourism in the production of "heritage". To make themselves profitable, museums are marketing themselves as tourist attractions. To make locations into destinations, tourism is staging the world as a museum of itself. Both promise to deliver heritage. Although heritage is marketed as something old, she argues that heritage is actually a new mode of cultural production that gives a second life to dying ways of life, economies, and places. The book concludes with a lively commentary on the "good taste/bad taste" debate in the ephemeral "museum of the life world", where everyone is a curator of sorts and the process of converting life into heritage begins. Synopsis: To make themselves profitable, museums are marketing themselves as tourist attractions. To make locations into destinations, tourism is staging the world as a museum. Both promise to deliver heritage. Although heritage is marketed as something old, the author argues that heritage is actually a new mode of cultural production that revives dying ways of life, economies, and places. The techniques of display are discussed in a variety of settings: museums, festivals, world's fairs, memorials, and tourist attractions, where the very fact that objects are collected and exhibited conveys meaning to visitors.) [UCCB: GN 36 K57 1998] Krausz, Michael, ed. 1989. Relativism: Interpretation and Confrontation. Notre Dame, Ind: University of Notre Dame Press. [UCCB: BJ 37 R37 1989] Landsman, Gail and Ciborski, Sara. 1992. “Representation and Politics: Contesting Histories of the Iroquois”. Cultural Anthropology 7 (4):425-447. Langton, Marcia. 1993. “Rum, Seduction and Death: ‘Aboriginality’ and Alcohol”. Oceania 63: 195-205. Lattas, Andrew. 1993. “Essentialism, Memory and Resistance: Aboriginality and the Politics of Authenticity”. Oceania 63:240-267. Layng, Anthony. 1979-80. “Ethnic Identity on a West Indian Reservation”. Revista Interamericana 9 (4):577-584. Lechner, F. J. 1984. “Ethnicity and Revitalization in the Modern World System”. Sociological Focus 17 (3). Le Guin, Ursula K. 1991. The Left Hand of Darkness. Reissue edition. Ace Books. [KINGS: PS 3562 E42 L39 1994] Lévi-Strauss, Claude. 1971. “Race and Culture”. International Social Science Journal 23 (4): 608-625. Lévy, Pierre. 2001. Cyberculture. Minneapolis, MN: University of Minnesota Press. [Kings: HM 851 C9313 2001]
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Zickmund, Susan. 1997. “Approaching the Radical Other: The Discursive Culture of Cyberhate”. In S. Jones, Ed., Virtual Culture: Identity and Communication in Cyberspace. London: Sage. [SMU: TK 5105.875 I57 V58 1997] Zolov, Eric. 1999. Refried Elvis: The Rise of the Mexican Counterculture. Berkeley: University of California Press. (Publisher Comments: This powerful study shows how America's biggest export, rock and roll, became a major influence in Mexican politics, society, and culture. From the arrival of Elvis in Mexico during the 1950s to the emergence of a full-blown counterculture movement by the late 1960s, Eric Zolov uses rock to illuminate Mexican history through these charged decades and into the 1970s. This fascinating narrative traces the rechanneling of youth energies away from political protest in the wake of the 1968 student movement and into counterculture rebellion, known as La Onda (The Wave). Refried Elvis accounts for the events of 1968 and their aftermath by revealing a mounting crisis of patriarchal values, linked both to the experience of modernization during the 1950s and 1960s and to the limits of cultural nationalism as promoted by a one-party state. Through an engrossing analysis of music and film, as well as fanzines, newspapers, government documents, company reports, and numerous interviews, Zolov shows how rock music culture became a volatile commodity force, whose production and consumption strategies were shaped by intellectuals, state agencies, transnational and local capital, musicians, and fans alike. More than a history of Mexican rock, Zolov's study demonstrates the politicized nature of culture under authoritarianism, and offers a nuanced discussion of the effects of cultural imperialism that deepens our understanding of gender relations, social hierarchies, and the very meanings of national identity in a transnational era. Table of Contents: Rebeldismo in the revolutionary family: rock 'n' roll's early impact on Mexican state and society -- Containing the rock gesture -- La Onda: Mexico's counterculture and the student movement of 1968 -- La Onda in the wake of Tlatelolco -- La Onda Chicana: the reinvention of Mexico's countercultural community -- The Avâandaro Rock Festival -- A critique of the "Obvious Imperialist": the USIA. )
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