BIBLIOGRAPHY FOR ANTHROPOLOGY OF MEDIA
Prepared by Maximilian C. Forte
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AAA.
Code of Ethics of the American Anthropological Association,
approved June 1998. Available at:
http://www.aaanet.org/committees/ethics/ethcode.htm
ABU-LUGHOD, Lila. 1996. “The interpretation of culture(s) after
television.” Representations 59: 109-133.
ADORNO, Theodor, and HORKHEIMER, Max. “The Culture Industry: Enlightenment
as Mass Deception”. Available at:
http://pnarae.com/phil/main_phil/total/adorno1.htm
ALIA, Valerie. 1999. Un/Covering the North: News,
Media and Aboriginal People. Vancouver: UBC Press. [UCCB E 78 C2 A45
1999] [ON RESERVE]
Contents:
Introduction, 3-12
1. Southern
Exposure: Portrayals of the North, 13-35
2. Communications
in Context: Language, Literacy, Politics and Education, 36-59
3. The Evolution of
Communications in the North, 60-96
4. Technology and
the Circumpolar Village: Networking and Broadcasting the Future, 97-121
5. Case Study 1:
Communications in the Yukon, 122-139
6. Case Study 2:
Print Media Coverage from Up Here and Outside / Brian Higgins and Valerie
Alia, 140-159
7. Concluding
Thoughts, Future Directions, 160-168
Appendices
A. Native News
Network of Canada Statement of Principles, 169-171
B. Brief to the
Royal Commission on Aboriginal Peoples, 172-173
C. Catalogue of
Northern Community Radio, 174-177
D. Catalogue
of Northern Newspapers and Magazines, 178-185
E. Catalogue of
Northern Internet Resources, 186-195
F. Catalogue of Broadcast Sites for Television Northern Canada (TVNC), 196
ALLEN, Susan L., Ed. 1994.
Media Anthropology: Informing
Global Citizens. New York: Bergin & Garvey.
ALTHEIDE,
David L. 1996. Qualitative Media Analysis. Thousand Oaks: Sage
Publications. [UCCB P 91.3 A48 1996] [ON RESERVE]
Contents:
1. Plugged in research
2. Ethnographic document analysis
3. Process of qualitative document analysis
4. Newspapers, magazines and electronic documents
5. Electronic reality
6. Tracking discourse
7. Field notes and other data.
Publisher comments:
“In order to prepare a successful research
project, a qualitative researcher often must consult various types of
media documents. How to obtain, categorize and analyze different media
documents is the subject of this book. The author looks at traditional
primary documents such as newspapers and magazines, but also at more
recent forms like television newscasts and cyberspace.”
AMIT, Vered. 2000. “Introduction: Constructing the Field”. In Vered Amit
(ed), Constructing the Field: Ethnographic Fieldwork in the
Contemporary World, pp. 1-18. London: Routledge.
ASKEW, Kelly,
and WILK, Richard R. 2002. The Anthropology of Media: A Reader.
Oxford: Blackwell. [UCCB P 94.6 A574 2002] [ON
RESERVE]
Contents:
Introduction: Kelly Askew and Richard R. Wilk. 1-14
Ch
1. The Medium is
the Message: Marshall McLuhan.
18-26.
Ch 2. The Technology and the
Society: Raymond Williams. 27-40.
Ch 5. Save, Save the Lore!:
Erika Brady. 56-72.
Ch 7. The Color of Sex: Postwar
Photographic Histories of Race and Gender: Catherine Lutz and
Jane Collins. 92-116.
Ch 8. The Imperial Imaginary:
Ella Shohat and Robert Stam. 117-147.
Ch 10. Hollywood and
the USA: Hortense Powdermaker. 161-171.
Ch 11. Yoruba Photography:
How the Yoruba See Themselves: Stephen F. Sprague.
172-186
Ch 13. Mediating Culture:
Indigenous Media, Ethnographic Film, and the Production of Identity:
Faye Ginsburg. 210-236.
Ch 15. The Tongan Tradition
of Going to the Movies: Elizabeth Hahn. 258-269.
Ch 16. Rambo's Wife Saves
the Day: Subjugating the Gaze and Subverting the Narrative in a Papua New
Guinean Swamp: Don Kulick and Margaret Willson.
270-285.
Ch 17. 'It's Destroying a Whole
Generation': Television and Moral Discourse in Belize:
Rick Wilk. 286-298.
Ch 18. National Texts and
Gendered Lives: An Ethnography of Television Viewers in a North Indian
City: Purnima Mankekar. 299-322.
Ch 19. Image-Based
Culture: Advertising and Popular Culture: Sut Jhally.
327-336.
Ch 20. The Global and the
Local in International Communications: Annabelle
Sreberny-Mohammadi. 337-356.
Ch 22. The Objects of Soap
Opera: Egyptian Television and the Cultural Politics of Modernity:
Lila Abu-Lughod. 376-393.
ATTALLAH,
Paul, and SHADE, Leslie Regan, eds. 2002. Mediascapes: New Patterns in
Canadian Communication. Scarborough, Ont: Thomson Nelson.
Contents:
Part 1:
The Institutional Context
Introduction: Paul Attallah, 1-3
1. Considering Critical Communication Studies in Canada. Sheryl N.
Hamilton, McGill University, 4-26
2. A Not-So-British Invasion: Cultural Studies in Canada. Anne-Marie
Kinahan, Carleton University, 27-45
3. Knowledge Matters: The Institutionalization of Communication Studies in
Canada. Michael Dorland, Carleton University, 46-64
4. Coming of Age: A Past Forgotten and a Present with a Future:
Communication Studies in Quebec. Roger de la Garde and Francois Yelle,
UQAM, 65-86
Part II: Audiences, 87-89
Introduction: Paul Attallah
5. The Audience. Paul Attallah, Carleton University, 90-106
6. Sipping Starbucks: (Re)Considering Communicative Media. Charlene
Elliott, Carleton University, 107-119
7. Empirical Approaches to the Audience. Gord Lucke, University of Ottawa,
120-135
8. Good Kids/Bad Kids: What’s a Culture to Do? Eileen Saunders, Carleton
University, 136-158
Part III: Communication Industries
Introduction: Leslie Regan Shade, 159-160
9. The Canadian Radio Industry. Pierre Belanger, University of Ottawa.
161-178
10. Canadian Film. Gary Evans, University of Ottawa, 179-196
11. A Brief History of the Music Industry. Don Wallace, Carleton
University, 197-215
12. Television in Canada. Paul Attallah and Derek Foster, Carleton
University, 216-234
13. Computers and the Internet. Susan Bryant, University of Windsor; and
Richard Smith, Simon Fraser University, 235-251
14. Online Journalism. Mike Gasher, Concordia University, 252-270
Part IV: Social and Policy Issues
Introduction: Leslie Regan Shade, 271
15. Globalization, Communication and Diaspora. Karim Karim, Carleton
University, 272-294
16. First Peoples’ Television in Canada’s North: A Case Study of the
Aboriginal Peoples Television Network. Lorna Roth, Carleton University,
295-310 [ON RESERVE]
17. Convergence. Matthew Fraser, Ryerson, 311-324
18. Lost in Cyberspace. Dwayne Winseck, Carleton University, 325-342
19. Intellectual Property and Copyright Issues in the Global Economy.
Daniel Downes, McGill University, 343-359
20. Privacy and New Media. Valerie Steeves, Carleton University, 360-379
21. Media and Politics. Anne McGrath, University of Calgary, 380-396
22. O-Canada: What Happens When the Mouse meets the Mounties? Leslie Regan
Shade, University of Ottawa, 397-410
Publisher comments:
“Mediascapes provides students with a comprehensive introduction to
Canadian communications, media, and popular culture from a diverse range
of perspectives. A current, representative collection of dedicated
readings, the text breaks down the field of communication into usable bits
while still reaching far beyond the scope of other texts to represent
cutting-edge approaches to the field of Canadian communications.
Mediascapes deals with Canadian media and communication in the context of
hot topics such as globalization, cultural diversity, and copyright and
privacy. Using case studies that are current and relevant to today’s
students, the book explores a real and contemporary experience of
communication and media. It features informed discussion of established
and emerging technologies, policies, and industry trends.”
BARKER, Chris.
1999. Television, Globalization and Cultural Identities.
Buckingham, U.K.; Philadelphia, Pa.: Open University Press. [PN 1992.6
B352 1999] [ON RESERVE]
Contents:
Introduction, 1-8.
Ch. 2, Global Television and Global Culture, 33-59
Ch. 3, The Construction and Representation of Race and Nation, 60-85
Ch. 4, Sexed Subjects and Gendered Representations, 86-107
Ch. 5,
Audiences, Identity and Television Talk, 108-140
BARWELL, Graham, and BOWLES, Kate. 2000. “Border Crossings: The Internet
and the Dislocation of Citizenship”. In David Bell and Barbara M. Kennedy
(eds), The Cybercultures Reader, Pp.702-711. London: Routledge.
[ON RESERVE]
BAUDRILLARD,
Jean. “Requiem for the Media”.
Available at:
http://www.calarts.edu/~bookchin/mediatheory/essays/19-baudrillard-03.pdf
BELL, David. 2001. An Introduction to Cybercultures. London:
Routledge.
Ch. 6, “Identities in Cyberculture”, 113-136.
[ON RESERVE]
BELL, David, and KENNEDY, Barbara M. 2000.
The Cybercultures Reader. London: Routledge. [UCCB QA 76.9 C66 C898]
Contents:
1. Approaching Cyberculture
2. Popular Cybercultures
3. Cybersubcultures
4. Cyberfeminisms
5. Cybersexual
6. Cyberbodies
7. Post[cyber]bodies
8. Scaling cyberspaces
9. Cybercolonization
BROWN, Michael F. 1998. “Can Culture Be Copyrighted?”
Current Anthropology 39 (2): 193-222.
Stable
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BURKHALTER, Byron.
1999. “Reading Race Online: Discovering Racial Identity in Usenet
Discussions”. In Marc A. Smith and Peter Kollock (eds), Communities in
Cyberspace, pp. 60-75. London: Routledge. [ON
RESERVE]
CASTELLS, Manuel.
2000. The Rise of the Network Society. 2nd ed. Oxford:
Blackwell.
Ch. 5, “The Culture of Real Virtuality: the Integration of Electronic
Communications, the End of the Mass Audience, and the Rise of Interactive
Networks”, pp. 355-406. [ON RESERVE]
CHANDLER,
Daniel. “Marxist Media Theory”.
Available at:
http://www.aber.ac.uk/media/Documents/marxism/marxism.html.
CHANDLER,
Dabiel. “Technological or Media Determinism”.
Available at:
http://www.aber.ac.uk/media/Documents/tecdet/tecdet.html.
CHEN, Wenhong;
BOASE, Jeffrey; and, WELLMAN, Barry. 2002. “The Global Villagers:
Comparing Internet Users and Uses Around the World”. In Barry Wellman and
Caroline Haythornwaite (eds), The Internet in Everyday Life, Pp.
74-113. Oxford: Blackwell. [ON RESERVE]
CHRISTENSEN,
Neil Blair. 2003. Inuit in Cyberspace: Embedding Offline Identities
Online. Copenhagen: Museum Tusculanum Press.
See: http://www.nbc.brygge.dk/
See also:
http://www.nbc.brygge.dk/arcus.html
Contents:
Introduction: Shifting Boundaries, 11-24
Modern tradition
Escape cyberspace
Old frontiers in new space
1. Going Nowhere to get Everywhere, 24-44
Online survey
E-mail interviews
Content analysis of Web pages
Wanted: practical method
2. (Re)producing the Arctic in Cyberspace, 45-66
[ON RESERVE]
The myth of cyberspace
Peripherality on the Net
Three regions: Canadian Arctic, Greenland and Alaska
Bridging a gap?
3. A Common Web of Difference and Similarity, 67-96
Recursive dynamics: social boundaries and cultural stuff
Us and them: self-identify by identifying others
Taloyoak in cyberspace
Native language
Guestbooks
Intelligible boundaries
4. Perceiving Cyberspace, 97-106
Engaging with the world
Disengaging from abstract theory
Continuity? Accept Change and Understand Context, 107-113
Publisher Comments:
“Inuit are often stigmatized as happy hunter-gatherers or sad victims of (post)modernity.
A simplification that is inextricably linked to a supposed, but
nevertheless misunderstood, conflict between indigenousness on one hand
and wage economy and modern technology on the other: such as it was done
in the anti-sealing campaigns of the 1980s. Even though Inuit identities
and cultures are often thought of in a museological context by outsiders,
and thus find little room for contemporary negotiation, their contents and
dynamics are subject to constant change, and have always been so. In this
cyber-ethnography, Neil Blair Christensen explores the processes by which
a wide selection of personal, local, cultural and national identities are
expressed and understood on the Internet. The different Inuit peoples of
the circumpolar Arctic have always taken active part in the world, but
their contemporary use of Internet(s) has affected even more their
relative isolation - one that comes from living in a peripheral region of
the world. Yet, Inuit and others are constructing web pages with social
and physical references that sustain an imagined Arctic remoteness; a
logic that seems to be a key aspect of Inuit identities and cultures. The
book brings together in analysis and discussion the realities of
contemporary Inuit, the myth of cyberspace and a selection of dynamic
strategies for identification. It concludes that Inuit dynamically remain
Inuit, in all their diversity, regardless of an imagined compression of
time and space; their use of changing technologies, or participation in
enlarged social networks.”
CROTEAU,
David, and HOYNES, William. 2003. Media Society: Industries, Images,
and Audiences. 3rd ed. Thousand Oaks, CA: Pine Forge Press.
I. Media/Society
1. Media and the Social World, 3-30 see:
http://www.pineforge.com/CroteauChapter1Final-Pdf_3216.pdf
II. Production: The Media Industry and the Social World
2. The Economics of the Media Industry, 33-76
3. Political Influence on Media, 77-120
4. Media Organizations and Professionals, 121-156
III. Content: Media Representations of the Social World
5. Media and Ideology, 159-194
6. Social Inequality and Media Representation, 195-228
IV. Audiences: Meaning and Influence
7. Media Influence and the Political World, 231-264
8. Active Audiences and the Construction of Meaning, 265-298
[ON RESERVE]
9. Media Technology and Social Change, 299-334
V. Globalization and the Future
10.
Media in a Changing Global Culture, 335-372
CULTURAL SURVIVAL
QUARTERLY. 1998.
Aboriginal Media, Aboriginal Control. 22 (2). (A collection of
full text online articles--see especially the following articles--Introduction:
Media and Aboriginal Culture; An Evolving Relationship;
Electronic Smoke Signals: Native American Radio in the United States;
Indigenous Journalists: Two Provocative Provinces, Worlds Apart;
Seeing Ourselves, Being Ourselves: Broadcasting Aboriginal Television in
Canada;
Media and the Preservation of Culture in Africa;
Community Radio in India;
Indigenous Peoples and Media Ethics in Canada;
Talking the Talk on Indigenous Radio;
The U'wa Struggle for Resguardo Unico)
CULTURAL SURVIVAL QUARTERLY. 1998.
The Internet and Indigenous Groups. 21 (4). (A collection of full
text online articles on Internet uses by indigenous peoples--see
especially the following articles:
The Internet and Indigenous Groups;
Latin America: The Internet and Indigenous Texts;
Use of Internet Communication Among the Sami People;
Standing Stones in Cyberspace: The Oneida Indian Nation's Territory on the
Web;
Olelo Hawai'i: A Rich Oral History, a Bright Digital Future)
DAVILA, Arlene. 1998. “El Kiosko Budweiser: The Making of a ‘National’
Television Show in Puerto Rico.” American Ethnologist 25 (3):
452-470.
DAVIS, Jessica L., and GANDY, Oscar H., Jr. 1999. “Racial
Identity and Media Orientation: Exploring the Nature of Constraint”.
Journal of Black Studies 29 (3): 367-397.
Stable
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DICKEY, Sara. 1997. “Anthropology and its Contributions to Studies of Mass
Media”. International Social Science Journal 49: 413-427.
DOMINY, Michele D. 1993. “Photojournalism, Anthropology,
and Ethnographic Authority”. Cultural Anthropology 8 (3): 317-337.
Stable
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DOUGLAS, Susan
J. Where the Girls Are: Growing Up Female with the Mass Media. New
York: Three Rivers Press, 1995. [UCCB P 94.5 W652 U634 1995]
[ON RESERVE]
Contents:
Introduction, 3-20
Ch. 1, Fractured Fairy Tales, 21-42
Ch. 2, Mama Said, 43-60
Ch. 3, Sex and the Single Teenager, 61-82
Ch. 4, Why the Shirelles Mattered, 83-98
Ch. 5, She's Got the Devil in Her Heart, 99-122
Ch. 6, Genies and Witches, 123-138
Ch. 7, Throwing Out Our Bras, 139-162
Ch. 8, I Am Woman, Hear Me Roar, 163-192
Ch. 9, The Rise of the Bionic Bimbo, 193-220
Ch. 10, The ERA as Catfight, 221-244
Ch. 11, Narcissism as Liberation, 245-268
Ch. 12, I'm not a Feminist, But..., 269-194
Notes from a reviewer:
http://carbon.cudenver.edu/~rpekarek/gdouglasnotes.html:
"The supposedly
serious cultural documents of teenage rebellion, like Rebel Without a
Cause, The Wild One, or Blackboard Jungle, emphasized
male alienation and malaise." (5) "As we consider the metamorphosis that
millions of women ... experienced over the past three decades, we
immediately confront the well-known female yin and yang of solid
confidence and abject insecurity. In a variety of ways the mass media make
us the cultural schizophrenics we are today.... Our collective history of
interacting with and being shaped by the mass media has engendered in many
women a kind of cultural identity crisis." (8) "To explain this
schizophrenia, we must reject the notion that popular culture for girls
and women didn't matter.... The jigsaw pieces of our inner selves have
moved around in relation to the jigsaw imagery of the media, and it is the
ongoing rearrangement of these shards on the public screens of America,
and the private screens of our minds, that is the forgotten story of
American culture over the past thirty-five years." (9) "Exhilarating,
infuriating, full of hope, full of despair, 1968 had me on a constant
psychic yo-yo.... I was convinced that our destiny was utterly out of our
control and in the hands of Satan himself, working through LBJ, the
Chicago police, and General Westmoreland. I felt this range of intense
feelings not out in the streets but in my living room, watching history
transmitted to me over the television. I was not yet in college in the
spring and summer of 1968; I wasn't a member of any of the various
oppositional political groups that organized against and did battle with
government authorities. I was, like the vast majority of young people,
still only a spectator. Yet spectatorship in 1968 -- even in the confines
of your own home -- was a politicizing activity." (153)
EICKELMAN,
Dale F. and ANDERSON, Jon W. 1999. New Media in the Muslim World: The
Emerging Public Sphere. Bloomington: Indiana University Press. [UCCB
BP 185.7 N48] [ON RESERVE]
Publisher Comments:
“How are
today's newest media—fax machines, satellite television, and the
Internet—and new uses of older media—audio and video cassettes, cinema,
pulp fiction, the telephone, and the press—reshaping belief, authority,
and community in the Muslim world?”
ENZENSBERGER, Hans
Magnus. 1970. “Constituents of a Theory of the Media”. New Left Review
(64) Nov-Dec: 13-36.
Available at:
http://www.religion-online.org/cgi-bin/relsearchd.dll/showarticle?item_id=1567
FLERAS, Augie.
2003. Mass Media Communication in Canada. Scarborough, Ont: Thomson
Nelson.
Contents:
SECTION ONE: Framing Media, 1-4
Chapter 1 Taking Media Seriously, 5-31
Chapter 2 What are Media?, 32-58 [ON RESERVE]
Chapter 3 Media Outputs: Effects and Impacts, 59-98
SECTION TWO: Media Processes, 99-101
Chapter 4 Newscasting: “Framing Reality”, 102-130
Chapter 5 TV: Programming as Persuasion, 131-169
Chapter 6 Advertising: Manufacturing Discontent, 170-212
Chapter 7 Films and Moviemaking: Commodifying Culture, 213-244
Chapter 8 “Networking Society”: Communicating Online, 245-274
SECTION THREE: Media in Society, 275-277
Chapter 9 Media, Minorities, and Multiculturalism, 278-309
Chapter 10 Gendered Media, 310-342
Chapter 11 Public Broadcasting, 343-372
Publisher Comments:
“Mass Media Communication in Canada deals with the politics of persuasion
in mediating the relationship between media and a rapidly changing and
increasingly diverse Canada. The text focuses on the ideology and
political workings of media, rather than the policies and institutions
themselves. It deals with the social dimensions of media communication,
presenting media as a form of persuasion and a system of power. The focus
is on media in Canadian society, with particular emphasis on the
relationship of media to race, gender, and society-building. Mass Media
Communication in Canada is divided into three sections: Framing the Media
examines mainstream media in terms of what they are, what they are
mandated to do, what they really do, and how they go about doing it. Media
Processes explains how media work, from how newscasting constructs reality
to how specific media forms (TV programming, advertising, cinema and new
digital media) operate. Media in Society looks specifically through case
studies and suggested debates at some of the main issues in Canadian media
(gender, minorities and multiculturalism, and ‘Canada-building’)”.
FLERAS, Augie, and LOCK KUNZ,
Jean. 2001, Media and Minorities: Representing Diversity in a
Multicultural Canada. Toronto: Thomson Educational Pub. [UCCB P 94.5
M55 C33 2001] [ON RESERVE]
Contents:
SECTION 1: MEDIA, RACISM, AND MULTICULTURALISM
1. Multicultural in Canada
2. The Media and Racism
3. Mainstream Media: Discourse in Defence of Ideology
SECTION 2: MISCASTING MINORITIES
4. Newscasting: "Problematizing " Minorities
5. 'Whoâs On?ä: Programming Minorities
6. Advertising: "Diversity Sells"
7. Filming the Other: Through the Prism of Whiteness
SECTION 3: RE-CASTING THE MOLD
8. Miscasting Minorities: Patterns and Causes
9. "Multiculturalizing" the Mainstream Media
10. Re-Priming the Relationship
GARTON, L., HAYTHORNTHWAITE,
C.; and, WELLMAN, B. 1997. “Studying Online Social Networks”. Journal
of Computer-Mediated Communication 3(1) June.
Available at:
http://www.ascusc.org/jcmc/vol3/issue1/garton.html
GILLESPIE,
Marie. 1995. Television, Ethnicity and Cultural Change. London:
Routledge. [UCCB PN 1992.3 G7 G46 1995] [ON RESERVE]
Contents:
Introduction, 1-28
Cultural change: British, Asian and black identities
Remaking ethnicity
Postmodernism and identity politics
Globalisation/localisation
Tradition/translation
About this book
Ch. 1, Southall: Chota Punjab, West London, 29-47
Social profile
Youth culture(s)
Arranging marriages
Wild West London? Southall gangs
Bhangra
Ch. 2, Living Fieldwork--Writing Ethnography, 48-75
The Southall Youth Survey (1989-1990)
Ethnography and TV audience research
TV talk
Phases of fieldwork
The researcher and her informants
Writing ethnography in the field
Ch. 3, Local Use of the Media: Negotiating Culture and Identity,
76-108
Family viewing patterns
Technology and tradition
Representations of/from India |
Devotional viewing: 'sacred soaps'
Watching 'western soaps'
Local news media
'Not the turkey type': Christmas and TV
Dirty Dancing at Diwali
Ch. 4, Coming of
Age in Southall: TV News Talk, 109-141
Being chust and siani
'Here' and 'there'
'Racial' and religious conflict: Local news
National and class politics: Thatcher and the poll tax
Ambivalent positionings: The Gulf War
Ch. 5, Neighbors and Gossip: Kinship, Courtship and Community, 142-174
Soap talk
Southall gossip and rumour
Soap narration and gossip
'Community'
Kinship
Courtship and marriage
Ch. 6, Cool Bodies: TV Ad Talk, 175-204
Teenage consumer culture and TV advertising
The hierarchy of styles
Body beauty
You can't beat the feeling: Coca Cola and Utopia
Fast food and fasting: Eating, autonomy and the Big Mac
Conclusion, 205-209 |
GINSBURG,
Faye. 1994. “Culture/Media: A Mild Polemic”.
Anthropology Today
10 (2): 5-15.
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GINSBURG,
Faye. 1994. “Embedded Aesthetics: Creating a Discursive Space for
Indigenous Media”.
Cultural Anthropology
9 (3): 365-382.
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GINSBURG,
Faye. 1991. “Indigenous Media: Faustian Contract or Global Village?”.
Cultural Anthropology
6 (1): 92-112.
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GINSBURG, Faye D.; ABU-LUGHOD,
Lila; and, LARKIN, Brian. 2002. Media Worlds: Anthropology on New
Terrain. Berkeley: University of California Press. [UCCB P 94.6 M426
2002] [ON RESERVE]
Contents:
Introduction:
http://www.ucpress.edu/books/pages/9048/9048.ch01.html
I. Cultural Activism and Minority Claims
1.
Faye Ginsburg, "Screen
Memories: Resignifying the Traditional in Indigenous Media", 39-57
2.
Harald E.L. Prins, "Visual
Media and the Primitivist Perplex: Colonial Fantasies, Indigenous
Imagination, and Advocacy in North America", 58-74
3.
Terence Turner, "Representation,
Politics, and Cultural Imagination in Indigenous Video: General Points and
Kayapo Examples", 75-89
4.
Meg McLagan, "Spectacles
of Difference: Cultural Activism and the Mass Mediation of Tibet", 90-114
II. The Cultural Politics of Nation-States
5.
Lila Abu-Lughod, "Egyptian
Melodrama--Technology of the Modern Subject?", 115-133
6.
Purnima Mankekar, "Epic
Contests: Television and Religious Identity in India", 134-151
7.
Annette Hamilton, "The
National Picture: Thai Media and Cultural Identity", 152-170
8.
Richard R. Wilk, "Television,
Time, and the National Imaginary in Belize", 171-188
III. Transnational Circuits
9.
Mayfair Mei-hui Yang,
"Mass
Media and Transnational Subjectivity in Shanghai: Notes on (Re)Cosmopolitanism
in a Chinese Metropolis", 189-210
10.
Ruth Mandel, "A
Marshall Plan of the Mind: The Political Economy of a Kazakh Soap Opera",
211-228
11.
Louisa Schein, "Mapping
Hmong Media in Diasporic Space", 229-246
IV. The Social Sites of Production
12.
Barry Dornfeld, "Putting
American Public Television Documentary in Its Places", 247-263
13.
Arlene Dávila, "Culture
in the Ad World: Producing the Latin Look", 264-280
14.
Tejaswini Ganti, "'And
Yet My Heart Is Still Indian': The Bombay Film Industry and the (H)Indianization
of Hollywood", 281-300
15.
Jeff D. Himpele, "Arrival
Scenes: Complicity and Media Ethnography in the Bolivian Public Sphere",
301-318
V. The Social Life of Technology
16.
Brian Larkin, "The
Materiality of Cinema Theaters in Northern Nigeria", 319-336
17.
Debra Spitulnik, "Mobile
Machines and Fluid Audiences: Rethinking Reception through Zambian Radio
Culture", 337-354
18.
Christopher Pinney, "The
Indian Work of Art in the Age of Mechanical Reproduction; Or, What Happens
When Peasants 'Get Hold' of Images", 355-369
19.
Mark Hobart, "Live
or Dead? Televising Theater in Bali", 370-382
20.
Rosalind C. Morris, "A
Room with a Voice: Mediation and Mediumship in Thailand's Information
Age", 383-398
Publisher Comments:
“This groundbreaking volume showcases the
exciting work emerging from the ethnography of media, a burgeoning new
area in anthropology that expands both social theory and ethnographic
fieldwork to examine the way media--film, television, video--are used in
societies around the globe, often in places that have been off the map of
conventional media studies. The contributors, key figures in this new
field, cover topics ranging from indigenous media projects around the
world to the unexpected effects of state control of media to the local
impact of film and television as they travel transnationally. Their
essays, mostly new work produced for this volume, bring provocative new
theoretical perspectives grounded in cross-cultural ethnographic realities
to the study of media.”
GRIPSRUD, Jostein. 2002.
Understanding Media Culture. Abingdon, Oxon: Hodder Arnold.
Contents:
Part 1 –
Audiences and the Media
Ch. 1. Identity – The Media and Our Understanding of Ourselves
Ch. 2. Influence – The Media’s Power and Our Own
Ch. 3. Distinctions – Social Difference, Lifestyle and Taste
Part 2 –
Perspectives on Media Texts
Ch. 4.
Semiotics, Signs, Codes and Cultures, 99-127 [ON
RESERVE]
Ch. 5. Hermeneutics: Interpretations and Understanding
Ch. 6.
Rhetoric – Language, Situation, Purpose
Ch. 7. Narratology – The Forms and Functions of Stories
Part 3 –
Production and its Social Conditions
Ch. 8. Public Sphere and Democracy: Ideals and Realities
Ch. 9. Broadcasting: Technology, Society and Policy
Ch. 10.
Production: Creativity, Contexts and Power.
HAKKEN, David. 1999. Cyborgs@Cyberspace: An
Ethnographer Looks to the Future. London: Routledge.
See Introduction chapter at
http://www1.sunyit.edu/~hakken/intro.html
Contents:
1. Introduction, 1-15
What are we to make of cyberspace?
Conceptual presumptions
Key issues in cyberspace ethnography
Structure of the book
Cyberspace research narrative
2. An Alternative to 'Computer Revolution' Thought, 15-36
Has there been a computer revolution?
Reasons for being a computer revolution skeptic
An alternative framework for assessing AIT’s contribution to
social change
An evolutionary approach to AIT and social change
Conclusion
3. Doing Ethnography in Cyberspace, 37-66 [ON
RESERVE]
Introduction
Ethnographic and ‘natural’ science ways of knowing
Doing cyberspace ethnography anthropologically
Examples of Anthropological cyberspace ethnography
Epistemological challenges in anthropological cyberspace
ethnography
Conclusion: issues in classical and cyberspace ethnography
4. The Entity Problem: What Carries Culture in Cyberspace? 69-92
Introduction
The entity problem
Conceptualizing culture-bearing entities
A cyborgic model of human mental activity
Cyborgic entities and cultural processes
An alternative cyborgic model of culture, based on the
ethnography of information system management
Entities in cyberspace: actors, creoles, objects?
Self-identity in cyberspace
Conclusion: embodied imaginings
5. The Ethnography of Mid-Range Social Relations in Cyberspace: Community,
Region, Organization and Civil Society, 93-128
Social relations in cyberspace
Contemporary issues in meso-social relations
The ethnography of cyberspace communities and regions
Computing and workspace cultures
The ethnography of organizational culture in cyberspace
The recent emergence of a cyber-culture-facture stage in the
labor process
Conclusion: Virtual, or virtually no work/community?
6. Macro-Social Relations and Structure in Cyberspace, 129- 178
Introduction
National/cultural aspects of computing
Transnational CMC
Scandinavia and national/cultural differences in constructing
cyberspace
Neo-classical approaches to cyberspace in economics
Alternative #1: Technicist political economies of cyberspace
Alternative #2: Substantive political economies of cyberspace
Conclusion
7. Knowledge in Cyberspace and the Practice of Ethnography, 179-212
The knowledge question in cyberspace
A cyborg anthropology alternative: realist actor network
theory
The practice question in cyberspace ethnography
Policy implications of applied cyberspace ethnography
Ethics
8. Conclusions, 213-228
Empirical results: what can we say about cyberspace
Analytic conclusions
On the science question, or reconstructing techno-science
practice
Implications of a cyberspace ethnography-based reconstructed
techno-science practice
Publisher Comments:
“Cyborgs@Cyberspace? is a compelling and innovative analysis of technology
from a cultural perspective. It turns an anthropological eye on the
growing phenomenon of cyberspace to address some of the pressing questions
of the Computer Age: How significant are the social practices which emerge
from our increasing use of advanced information technology? Are the
cultural infrastructures of cyberspace destined to be the primary arena of
human activity in the future? And what are the possibilities and dangers
that arise from our use and misuse of computer culture? Arguing that
humans have always been technological as well as cultural beings, David
Hakken calls for a fundamental rethinking of the traditional separation of
anthropology and technical studies. Drawing on three decades of research
on contemporary technological societies, this book outlines a fresh way of
thinking about technology and offers an ethical and political response to
the challenge of truly living as 'cyborgs' in the age of cyberspace.”
HANKS, W. F. 1989. “Text and Textuality”. Annual Review
of Anthropology 18: 95-127.
Stable
URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0084-6570%281989%292%3A18%3C95%3ATAT%3E2.0.CO%3B2-6
HERMAN, Edward
S, and CHOMSKY, Noam. 1988. Manufacturing Consent: The Political
Economy of the Mass Media. New York : Pantheon Books. [UCCB P 95.82 U6
H47 1988] [ON RESERVE]
Publisher Comments:
“In this
pathbreaking work, now with a new introduction, Edward S. Herman and Noam
Chomsky show that, contrary to the usual image of the news media as
cantankerous, obstinate, and ubiquitous in their search for truth and
defense of justice, in their actual practice they defend the economic,
social, and political agendas of the privileged groups that dominate
domestic society, the state, and the global order. Based on a series of
case studies—including the media’s dichotomous treatment of “worthy”
versus “unworthy” victims, “legitimizing” and “meaningless” Third World
elections, and devastating critiques of media coverage of the U.S. wars
against Indochina—Herman and Chomsky draw on decades of criticism and
research to propose a Propaganda Model to explain the media’s behavior and
performance. Their new introduction updates the Propaganda Model and the
earlier case studies, and it discusses several other applications. These
include the manner in which the media covered the passage of the North
American Free Trade Agreement and subsequent Mexican financial meltdown of
1994-1995, the media’s handling of the protests against the World Trade
Organization, World Bank, and International Monetary Fund in 1999 and
2000, and the media’s treatment of the chemical industry and its
regulation. What emerges from this work is a powerful assessment of how
propagandistic the U.S. mass media are, how they systematically fail to
live up to their self-image as providers of the kind of information that
people need to make sense of the world, and how we can understand their
function in a radically new way.”
HINE,
Christine. 2000. Virtual Ethnography. London: Sage.
Contents:
1. Introduction
2. Internet as Culture and Cultural Artefact
3. The Virtual Objects of Ethnography, pp. 41-66[ON
RESERVE]
4. The Making of a Virtual Ethnography
5. Time, Space and Technology
6. Authenticity and Identity in Internet Contexts
7.
Reflection
INNESS,
Sherrie A. 1999. Tough Girls: Women Warriors and Wonder Women in
Popular Culture. Philadelphia: University of Pennsylvania Press. [UCCB
P 94.5 W65 I56 1999] [ON RESERVE]
Publisher Comments:
“Tough
girls are everywhere these days. Whether it is Ripley battling a swarm of
monsters in the Aliens trilogy or Captain Janeway piloting the starship
Voyager through space in the continuing Star Trek saga, women strong in
both body and mind have become increasingly popular in the films,
television series, advertisements, and comic books of recent decades. In
Tough Girls, Sherrie A. Inness explores the changing representations of
women in all forms of popular media and what those representations suggest
about shifting social mores. She begins her examination of tough women in
American popular culture with three popular television shows of the 1960s
and '70s--The Avengers, Charlie's Angels, and The Bionic Woman--and
continues through such contemporary pieces as a recent ad for Calvin Klein
jeans and current television series such as The X-files and Xena: Warrior
Princess. Although all these portrayals show women who can take care of
themselves in ways that have historically been seen as uniquely male, they
also variously undercut women's toughness. She argues that even some of
the strongest depictions of women have perpetuated women's subordinate
status, using toughness in complicated ways to break or bend gender
stereotypes while simultaneously affirming them.”
INTINTOLI, Michael
James. 1984. Taking Soaps Seriously: The WorId of GUIDING LIGHT.
New York: Praeger.
FULL TEXT available online at:
http://nimbus.temple.edu/~jruby/wava/soaps/
IWGIA (International Work Group
for Indigenous Affairs). 2003.
Indigenous Peoples and
Information Technology. Indigenous Affairs, 2. (The
articles contained in this collection are not available online, but a copy
is available on Reserve. Articles include the following:
International,
Paths of Indigenous Cyber-Activism, by Kyra Landzelius; Americas,
Perspectives on the Indigenous Tradition / New Technology Interface, by
Greg Young-Ing; The Zapatista Rebellion and the Use of Technology: Indian
Women Online? by Marisa Belausteguigoitia; Weaving Tapestries of
Solidarity with Virtual Thread. Information and Communication Technologies
at the Service of Grassroots Indigenous Women in Bolivia, by Nidia
Bustillos Rodríguez; Caribbean Aboriginals Online: Digitized Culture,
Networked Representation, by Maximilian C. Forte; Navajo
Cyber-Sovereignty, by Frances Vitali and Jean Whitehorse; Arctic,
Samenet - The Sámi Information and Communication Network, by Michael
Kuhmunen.)
JEFFREY, Liss.
N.d. “Rethinking Audiences for Cultural Industries: Implications for
Canadian Research”.
http://media.ankara.edu.tr/~erdogan/jeffrey.html
JENKINS, Alan. 1986. “Disappearing World Goes to China: A
Production Study of Anthropological Films”. Anthropology Today 2
(3): 6-13.
Stable
URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0268-540X%28198606%292%3A3%3C6%3ADWGTCA%3E2.0.CO%3B2-I
JOHNSON, A. J.
"A New Understanding of Culture and Communication: The Impact of
Technology on Indigenous Peoples--A Pathfinder". (This resource
points to locations on the web where one can find materials addressing the
following questions: Where can I find
sources that give a general overview of the effect of technology on
indigenous peoples? What uses of new technology are most beneficial to
indigenous groups? What are some problems Native Americans have
encountered in gaining access to telecommunications technology, and what
solutions are being explored? How have indigenous people used new
technology to preserve, promote and teach their history and culture? How
has communication between tribe members or members of different indigenous
groups changed due technology? What are some organizations and other
resources that promote utilization of technology in indigenous
communities?)
JONES, Steve G.
1999. “Studying the Net: Intricacies and Issues”. In Steve Jones (ed),
Doing Internet Research: Critical Issues and Methods for Examining the Net,
pp. 1-28. London: Sage. [ON RESERVE]
JONES, Steve G.
1998. “The Internet and its Social Landscape”. In Steve G. Jones (ed),
Virtual Culture: Identity and Communication in Cybersociety, Pp. 7-35.
Thousand Oaks, CA: Sage. [ON RESERVE]
JONES, Steve
(ed). 1999. Doing Internet Research: Critical Issues and Methods for
Examining the Net. London: Sage.
Contents:
Introduction: Forests, Trees and Internet Research, by James T. Costigan
Chapter 1: Doing Internet Research, by Steve Jones[ON
RESERVE]
Chapter 2: Complementary Explorative Data Analysis: The Reconciliation of
Quantitative and Qualitative Principles, by Fay Sudweeks and Simeon J.
Simoff
Chapter 3: Recontextualizing "Cyberspace": Methodological Considerations
for Online Research, by Lori Kendall
Chapter 4: Studying Online Social Networks, by Laura Garton, Caroline
Haythornwaite, and Barry Wellman
Chapter 5: Cybertalk and the Method of Instances, by Norman K. Denzin
Chapter 6: Configuring As a Mode of Rhetorical Analysis, by James J.
Sosnoski
Chapter 7: From Paper-and-Pencil to Screen-and-Keyboard: Toward a
Methodology for Survey Research on the Internet, by Diane F. Witmer,
Robert W. Colman ,Sandra Lee Katzman
Chapter 8: Measuring Internet Audiences: Patrons of an Online Art Museum,
by Margaret McLaughlin, Steve Goldberg, Nicole Ellison, and Jason Lucas
Chapter 9: Analyzing the Web: Directions and Challenges, by Ananda Mitra
and Elisa Cohen
Chapter 10: There is a there there: Notes toward a definition of
cybercommunity, by Jan Fernback
Chapter 11: Researching and Creating Community Networks, by Teresa M.
Harrison and Timothy Stephen
Chapter 12: Beyond Netiquette: The Ethics of doing naturalistic discourse
research on the Internet, by Barbara F. Sharf
Chapter
13: Thinking the Internet: Cultural Studies vs. The Millennium, by
Jonathan Sterne
KARIM, Karim
H. 2000. The Islamic Peril: Media and Global Violence. New York:
Black Rose Books. [UCCB BP 52 K37 2000] [ON RESERVE]
Contents:
Introduction
http://www.web.net/blackrosebooks/islamic2.htm
Chapter 1: Violence and the Media
Chapter 2: Jihad
Chapter 3: Orientalist Imaginaries
Chapter 4: Assassins, Kidnappers, Hostages
Chapter 5: The Rites of Reporting a Hijacking
Chapter 6: Dispatches from the Holy Land
Chapter 7: Constructing a Post-Soviet Threat
Chapter 8: Returning to a Millennial Struggle
Chapter 9: Covering Conflicts in Former Communist Territories
Chapter 10: Towards Informed and Conscientious Reporting
Publisher Comments:
“In an age when globalization is
supposedly drawing all humanity together, Islam is viewed as fomenting a
clash of civilizations. Terrorism, hostage-taking, hijacking and religious
wars have become synonymous with the identity of Muslims and these
narratives are supported by North-based media networks which have
maintained global hegemony. The Islamic Peril explores the lack of
historical and cultural understanding in the mass media, such as the
deeply contested ideas about jihad among Muslims. It studies coverage of
conflicts involving Muslims in the Middle East, the Caucasus, the Balkans,
and the West, and demonstrates the resilience of core European images of
Muslims that have continued to recur in depictions of Islam for over a
millennium. Karim believes that the gulf between Islam and the West must
be bridged and that the media have an ethical obligation to provide
coverage while avoiding generalizations and stereotypes.”
KEITH, Michael C. 1995.
Signals in the Air: Native Broadcasting in America. Westport, Conn.:
Praeger. [UCCB PN 1991.8 I53 K45 1995] [ON RESERVE]
See especially:
Ch. 2, Arrow with Voices: Evolution of Native Stations, 15-26
Ch. 5,
Waves for Kekewh: Impact of Indigenous Broadcasting, 97-112
KITCH, Carolyn L. 2001. The
Girl on the Magazine Cover: The Origins of Visual Stereotypes in American
Mass Media. Chapel Hill: University of North Carolina Press. [UCCB P
94.5 W652 U655 2001] [ON RESERVE]
Contents:
Introduction
http://uncpress.unc.edu/chapters/kitch_girl.html
Chapter 1. From True Woman to New Woman
Chapter 2. The American Girl
Chapter 3. Dangerous Women and the Crisis of Masculinity
Chapter 4. Alternative Visions
Chapter 5. Patriotic Images
Chapter 6. The Flapper
Chapter 7. The Modern American Family
Chapter 8. The Advertising Connection
Publisher Comments:
“From
the Gibson Girl to the flapper, from the vamp to the New Woman, Carolyn
Kitch traces mass media images of women to their historical roots on
magazine covers, unveiling the origins of gender stereotypes in
early-twentieth-century American culture. Kitch examines the years from
1895 to 1930 as a time when the first wave of feminism intersected with
the rise of new technologies and media for the reproduction and
dissemination of visual images. Access to suffrage, higher education, the
professions, and contraception broadened women's opportunities, but the
images found on magazine covers emphasized the role of women as consumers:
suffrage was reduced to spending, sexuality to sexiness, and a collective
women's movement to individual choices of personal style. In the 1920s,
Kitch argues, the political prominence of the New Woman dissipated, but
her visual image pervaded print media. With seventy-five photographs of
cover art by the era's most popular illustrators, The Girl on the
Magazine Cover shows how these images created a visual vocabulary for
understanding femininity and masculinity, as well as class status. Through
this iconic process, magazines helped set cultural norms for women, for
men, and for what it meant to be an American, Kitch contends.”
KOTTAK, Conrad Phillip. 1990.
Prime-Time Society: An Anthropological Analysis of Television and Culture.
Belmont, CA: Wadsworth Publishing Co.
Ch. 9,
Television’s Social Impact, 134-152.
[ON RESERVE]
LENT, John A., ed. 1980. Case
Studies of Mass Media in the Third World. Williamsburg, Va. : Dept. of
Anthropology, College of William and Mary. [UCCB HN 980 C35 1980]
[ON RESERVE]
Contents:
Nichols J.S. The Havana hustle.
Knudson, J. Treatment of the Indian in the Bolivian press.
Pollock, J.C. Reporting on critical events abroad.
Willer, T.F. Perceptions of women in Singapore.
Parker, E. The Malaysian elections of 1974.
Ugboajah, F. and Sobowale, I. The press in West Africa.
Lee, W.L. Television programming in the sixties.
Shaheen,
J.G. Television programming in selected Middle East nations.
LIPSITZ, George.
1986. “The Meaning of Memory: Family, Class, and Ethnicity in Early
Network Television Programs”. Cultural Anthropology 1 (4): 355-387.
Stable
URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0886-7356%28198611%291%3A4%3C355%3ATMOMFC%3E2.0.CO%3B2-E
MACHIN, David. 2002.
Ethnographic Research for Media Studies. London: Hodder Arnold.
Contents:
Introduction: what is ethnography? 1-16
Part I Ethnography: observing people in culture
1.
Ethnography in anthropology: from magic to the
media, 17-32
2.
How the ethnographer should view culture, 33-49
3.
Ethnography in the city: the Chicago School,
50-65
4.
Research approaches to the mass media, 66-80
5.
How good is ethnography compared to other
methodologies? 81-92
Part
II Ethnographic research in media studies
6.
Popular music, 93-96
7.
Watching television in the home, 99-102
8.
News gathering, 103-107
9.
Why we watch soaps, 108-113
10.
Adoring film
stars, 114-122
11.
Using the
Internet, 123-130
Part
III The reassembled ethnography: data analyis
12.
An
anthropological approach to a news spectacle, 131-140
13.
Understanding
readers' newspaper allegiance: newspapers as an indication of character,
141-154
14.
The ethnographic gaze in non-ethnographic research: role play, 155-164
15.
Carrying
out an ethnographic study, 165-170
MANKEKAR,
Purnima. 1993. “National Texts and Gendered Lives: An Ethnography of
Television Viewers in a North Indian City”. American Ethnologist 20
(3): 543-563. Stable URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0094-0496%28199308%2920%3A3%3C543%3ANTAGLA%3E2.0.CO%3B2-N
Abstract:
Recent anthropological research highlights the significance
of mass media in the construction of identities. This article focuses on
the ways in which men and women, located in specific sociocultural
contexts, interpret entertainment serials shown on Indian television. It
then proceeds to explore the place of the viewers' active engagement with
television in terms of their constitution as national and gendered
subjects. [television audiences, subjectivity, gender, nationalism, India]
MANN, Chris, and STEWART, Fiona.
2000. Internet Communication and Qualitative Research: A Handbook for
Researching Online. London: Sage.
Ch. 4, “Introducing Online Methods”, 65-98
[ON RESERVE]
Publisher Comments:
"Communication and Qualitative Research is the first textbook to examine
the impact of Internet technology on qualitative research methods. Drawing
on many pioneering studies using computer-mediated communication (CMC),
the authors show how online researchers can employ Internet-based
qualitative methods to collect rich, descriptive, contextually-situated
data. They discuss the methodological, practical and theoretical
considerations associated with such methods as in-depth online
interviewing, virtual focus groups, and participant observation in virtual
communities. This is a comprehensive and practical guide that:
-
Reviews online
research practice and basic Internet technology
-
Looks in detail at
the skills required by the online researcher
-
Examines the ethical,
confidentiality, security, and legal issues involved in online research
-
Considers the
theoretical challenges surrounding data collected in a "virtual venue
-
Addresses the social and cultural impact of researching online through a
discussion of power, gender, and identity issues in the virtual world"
McLUHAN, Marshall. “The Galaxy
Preconfigured” and “The Medium is the Message”
Available
at:
http://www.calarts.edu/~bookchin/mediatheory/essays/13-mcluhan-03.pdf
MICHAELS, Eric.
1985. “Constraints on Knowledge in an Economy of Oral Information”.
Current Anthropology 26 (4): 505-510.
Stable
URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0011-3204%28198508%2F10%2926%3A4%3C505%3ACOKIAE%3E2.0.CO%3B2-H
MICHAELS, Eric.
1982. TV Tribes. PhD Dissertation presented to the Faculty of the
Graduate School of The University of Texas at Austin.
FULL TEXT available online at:
http://nimbus.temple.edu/~jruby/wava/eric/
MILKIE, Melissa
A. 1999. “Social Comparisons, Reflected Appraisals, and Mass Media: The
Impact of Pervasive Beauty Images on Black and White Girls'
Self-Concepts”. Social Psychology Quarterly 62 (2): 190-210. Stable
URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0190-2725%28199906%2962%3A2%3C190%3ASCRAAM%3E2.0.CO%3B2-Y
Abstract:
Content analyses and experimental studies often indicate
strong, usually negative effects of media on the self In contrast,
qualitative work suggests that individuals may exercise considerable
influence in selecting, interpreting and criticizing media content. This
literature, however, does not adequately consider or specify how
"interpreted" media content still might affect self-concept negatively.
Incorporating social comparison and reflected appraisal processes, this
study shows how media affect self-esteem indirectly, despite criticism,
through beliefs about how others use and are affected by media. In-depth
interviews with 60 white and minority girls, complemented by quantitative
measures from a larger study, help to clarify how girls are affected by
prominent images of females pervasive in media. Most girls see the images
as unrealistic; many prefer to see "real" girls. White girls, despite
their criticism, are still harmed by the images because they believe that
others find the images important and that others in the local culture,
especially boys, evaluate them on the basis of these images. Minority
girls do not identify with "white" media images, nor believe that
significant others are affected by them; thus their critical
interpretations succeed in thwarting negative feelings. The study
increases our understanding of media effects on the self-concept and
suggests that researchers consider how media images may be part of social
comparison and reflected appraisal processes.
NAKAMURA, Lisa. 2002. Cybertypes: Race, Ethnicity,
and Identity on the Internet. London: Routledge.
Contents:
Introduction, xi-xix
1. Cybertyping and The Work of Race in the Age of Digital Reproduction,
1-30 [ON RESERVE]
2. Head Hunting on the Internet: Identity Tourism, Avatars, and Racial
Passing in Textual and Graphical Chatspaces, 31-60
3. Race in the Construct and the Construction of Race: The 'Consensual
Hallucination' of Multiculturalism in the Fictions of Cyberspace, 61-86
4. "Where Do You Want to Go Today?": Cybernetic Tourism, the Internet, and
Transnationality, 87-100
5. Menu-Driven Identities: Making Race Happen Online, 101-136
Conclusion, 137-146.
See also:
http://www.hnet.uci.edu/mposter/syllabi/readings/nakamura.html
Publisher Comments
“Cyberspace entices us with the promise of an online utopia--a web of
fluid identities and infinite possibilities. When we look for signs of
freedom online--anywhere from chat room conversations to cyberpunk
fiction--we are almost inevitably urged toward "liberation" from our
bodies and their "restrictive" attributes like race, gender, and age. But
cyberculture critic Lisa Nakamura insists that the Internet is a place
where race matters. Race itself may not be fixed or finite, but Nakamura
argues that racial stereotypes-or "cybertypes"-are hardwired into our
online interactions: Identity tourists masquerade in virtual roles like
Asian_Geisha and Alatinolover. Web directories sharply narrow
racial categories. Anonymous computer users are assumed to be white. In
Cybertypes, Nakamura looks at what happened to race when it went
online, and how our ideas about race continue to be shaped and reshaped
every time we log on. Examining all facets of our everyday online
experience from Internet advertising to email jokes, Nakamura shows that
the postmodern ideal of fluid selves made possible by network technology
is not necessarily subversive, progressive, or liberating. The harder race
is pushed off-line, the greater the consequences in real life for people
of color. A lively and provocative discussion Cybertypes offers a
valuable new way of thinking about race and identity in the information
age.”
National Film Board of Canada. 1992. Manufacturing
Consent: Noam Chomsky and the Media. Montréal: Necessary Illusions ;
National Film Board of Canada. 2 videocassettes (167 min.) [UCCB NFB 397]
Pt. 1. Thought control in a democratic society -- (95 min.)
Pt. 2.
Activating dissent (72 min.)
National Film Board of Canada. 1989. Media and
Society. Montreal, P.Q. : National Film Board of Canada. 3 video
cassettes (VHS) (230 min.) [UCCB NFB 406]
Vol. 1. Advertising and consumerism (revised version)
Vol. 2. Images of women
Vol. 3.
Cultural sovereignty, Shaping information.
O’BRIEN,
Jodi. 1999. “Writing in the Body: Gender (Re)Production in Online
Interaction”. In Marc A. Smith and Peter Kollock (eds), Communities in
Cyberspace, pp. 76-106.London: Routledge. [ON
RESERVE]
O’BRIEN, Susie, and SZEMAN, Imre. 2004. Popular
Culture: A User’s Guide. Scarborough, Ont: Thomson Nelson.
Contents:
Chapter One: Introducing Popular Culture
Chapter Two: The History of Popular Culture
Chapter Three: Representation and the Construction of Social Reality,
57-94 [ON RESERVE]
Chapter Four: The Production of Popular Culture
Chapter Five: The Consuming Life
Chapter Six: Identity and the Body
Chapter Seven: Identity and Community
Chapter Eight: Subcultures and Countercultures
Chapter Nine: Globalization and Popular Culture
Chapter
Ten: Why Study Popular Culture? A Brief History of Cultural Studies
O'SULLIVAN, Tim, ed. 1997. The Media Studies
Reader. 1997. Abingdon, Oxon: Hodder Arnold.
Contents:
Introduction
Section 1: The Media and Modern Life
Section 2: Stereotypes and Representations
Sections 3: Audience and Reception
Section
4: Producers and Production
PACCAGNELLA,
L. 1997. “Getting the Seats of Your Pants Dirty: Strategies for
Ethnographic Research on Virtual Communities”. Journal of
Computer-Mediated Communication 3(1). Available at:
http://www.ascusc.org/jcmc/vol3/issue1/paccagnella.html
PEDELTY, Mark. 1993. “News Photography and Indigenous People: An
‘Encounter’ in Guatemala.” Visual Anthropology Review 6(3):
285-301.
POSTER, Mark. 1998. “Virtual Ethnicity: Tribal Identity in an Age of
Global Communications”. In Steven G. Jones (ed), Cybersociety 2.0:
Revisiting Computer-Mediated Communication and Community, Pp.
184-211. Thousand Oaks, CA: Sage.
[ON RESERVE]
POSTER, Mark. 1990. The Mode of Information: Postructuralism and Social
Context. Cambridge: Polity Press. “Introduction: Words without
Things”, 1-20.
[ON RESERVE]
POWDERMAKER,
Hortense. 1950. Hollywood, the Dream Factory: An Anthropologist Looks
at the Movie-Makers. Boston: Little, Brown.
FULL TEXT available online at:
http://nimbus.temple.edu/~jruby/wava/powder/
PRIEST,
Susanna Hornig. Doing Media Research: An Introduction. Thousand
Oaks, Calif.: Sage Publications, 1996. [UCCB P 91.3 P75 1996]
[ON RESERVE]
Contents:
- Introduction
Part 1, Roots: Social Science
Foundations
Ch. 1, A
Philosophy of Social “Science”, 3-16
Ch. 2,
Anthropology and the Range of Human Experience, 17-32
Ch. 3,
Psychology and the Experimental Method, 33-52
Ch. 4,
Sociological Study of Organizations and Institutions, 53-72
Part 2, Digging Up Answers: Asking
Questions and Collecting Data
Ch. 5,
Developing a Research Question, 73-86
Ch. 6,
Counting: A Quantitative Methods Primer, 87-102
Ch. 7,
Interpreting: Introducing Qualitative Methods, 103-118
Part 3, Toolbox: Quantitative
Analytical Techniques
Ch. 8,
Describing a Data Set, 119-132
Ch. 9,
From Sample to Population, 133-144
Ch. 10,
Testing Hypotheses, 145-160
Ch. 11,
Explorations, 161-180
Part 4, Cookbook: Analyzing
Qualitative Data
Ch. 12,
Qualitative Research Revisited, 181-194
Ch. 13,
Writing Descriptive Summaries, 195-206
Part 5, Branching Out: The Wider
World of Research
Ch. 14,
Research Horizons, 207-222
Ch. 15,
Writing the Research Report, 223-230
ROFEL, Lisa B. 1994. “ ‘Yearnings’:
Televisual Love and Melodramatic Politics in Contemporary China”.
American Ethnologist 21 (4): 700-722.
Stable URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0094-0496%28199411%2921%3A4%3C700%3A%22TLAMP%3E2.0.CO%3B2-%23
Abstract:
To trace the complex "passion for meaning" (Barthes) that
animated the consumption and interpretation of Yearnings, a television
melodrama that aired in China just a year and a half after the Tiananmen
demonstrations, requires moving beyond a dichotomy between "the political"
and "the popular." This article argues that Yearnings became a nationwide
controversy because it allegorizes post-Tiananmen dilemmas of national
identity in relation to socialism and in relation to the diverse class and
gender positionings of the characters as well as the viewers. Textualist
and reader-response analyses of popular culture need to be broadened by an
ethnographic approach that asks sociodiscursive questions about the
operations of popular culture as a site for the constitution of national
subjects, one that offers complicated possibilities for oppositional
practices. [China, national identity, popular culture, gender and class,
politics of representations, the state]
RODGERS, Susan. 1986. “Batak Tape
Cassette Kinship: Constructing Kinship Through the Indonesian National
Mass Media”. American Ethnologist 13 (1): 23-42.
Stable URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0094-0496%28198602%2913%3A1%3C23%3ABTCKCK%3E2.0.CO%3B2-J
Abstract:
As Leach noted in Political Systems of Highland Burma,
Southeast Asia's Kachin-type kinship systems (with asymmetrical marriage
alliance between wife-givers and their indebted wife-receivers) tend to be
constructed in interaction with neighboring cultures. This paper examines
one contemporary example of that for Sumatra's Angkola Batak. Focusing on
the way national communication media shape local kinship ideas (and foster
notions of "culture" and "kinship"), commercially produced Angkola tape
dramas on family themes are examined as art forms providing Angkola with
new images of human relationship. [kinship, Indonesia, orality and
literacy, mass media, asymmetrical alliance]
RUHLEDER, K.
2000. “The Virtual Ethnographer: Fieldwork in Distributed Electronic
Environments”. Field Methods 12(1): 3-17.
SCHRODER, Kim; DROTNER, Kirsten; KLINE, Steve;
MURRAY, Catherine. Researching Audiences. 2003. Abingdon, Oxon:
Hodder Arnold.
Contents:
Section One: Contours of Audiences
Ch. 1, Approaching media audiences, 3-25 [ON
RESERVE]
Ch. 2, The history and divisions of audience research: the received view,
26-43
Ch. 3, Methodological pluralism: the meta-theoretical foundations of
discursive realism, 44-56
Section Two: The Ethnographic Approach to Audiences
Ch. 4, Audience ethnography in practice: between talk, text and
action, 57-62
Ch. 5, Media ethnography: defining the field, 63-86
Ch. 6, The ethnographic toolbox: participant observation, 87-104
Section Three: Audience Reception Research
Ch. 7, Reception research in practice: researching media meanings
through talk, 105-120
Ch. 8, Reception research: defining the field, 121-142
Ch. 9, The reception research toolbox: the qualitative interview, 143-172
Section Four: Foundations of Quantitative Audience Research
Introduction: the historical legacy of the philosophy of science,
173-179
Ch. 10, Towards a basic toolbox for quantitative researchers, 180-204
Section Five: Survey Research on Audiences
Ch. 11, Audience surveys in practice: from social context to numbers
and back again, 205-224
Ch. 12, Audience surveys: defining the field, 225-244
Ch. 13, The audience survey toolbox: the questionnaire as lens, 245-278
Section Six: Experimental Audience Research
Ch. 14, Experimental audience research in practice: conceptualizing
effects, 279-291
Ch. 15, Experimental audience research: Defining the field, 292-321
Ch. 16, The experimental audience research toolbox: the controlled
experiment, 322-346
Section Seven: The Dual Challenge of 'Convergence' in Audience Research
Introduction: the dual challenge, 347-348
Ch. 17, Convergence of methodologies: rethinking methodological pluralism,
349-365
Ch. 18,
Convergence of media: towards a new sense of 'audience', 366-378
SHADE, Leslie Regan. “The Internet and Social
Movements”.
Available
at:
http://www.mediascapes.nelson.com/TheInternetandSocialMovements.pdf
SINGH,
Ricky. 1984. Ricky Singh and the Caribbean Media: Caribbean Conference of
Intellectual Workers, I & II, Grenada, November 20-22, 1982, Mount St.
Benedict, Trinidad, January 13-14. La Habana: Palacio de las Convenciones
de Cuba, 1984. [UCCB P 92 C33 S56 1984]
SNYDER, Jack, and BALLENTINE, Karen.
1996. “Nationalism and the Marketplace of Ideas”.
International Security
21 (2): 5-40.
Stable URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0162-2889%28199623%2921%3A2%3C5%3ANATMOI%3E2.0.CO%3B2-V
SPITULNIK, Debra. 1993. “Anthropology
and Mass Media”.
Annual Review of Anthropology
22: 293-315.
Stable URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0084-6570%281993%292%3A22%3C293%3AAAMM%3E2.0.CO%3B2-2
STRATTON, Jon. 2000. “Cyberspace and the Globalization of Culture”. In
David Bell and Barbare M. Kennedy (eds), The Cybercultures Reader,
Pp. 721-731. London: Routledge.
[ON RESERVE]
Third World
Mass Media: Issues, Theory, and Research.
Williamburg,
Va.: Dept. of Anthropology, College of William and Mary, 1979. [UCCB HN
980 T46] [ON RESERVE]
THUSSU, Daya K. 1998. Electronic Empires: Global
Media and Local Resistance. Abingdon, Oxon: Hodder Arnold.
Contents:
Globalization of Electronic Empires
Global Media – A Global Public Sphere?
Debating Media Globalization
Global Media and Local Resistance
THWAITES, Tony; DAVIS, Lloyd; and, MULES, Warwick.
2002. Introducing Cultural and Media Studies: A Semiotic Approach.
New York: Palgrave.
Contents:
Introduction: Approaching Cultural and Media Studies
Ch. 1, Some Aspects of Signs, 9-28
Ch. 2, Signs and Systems, 29-47[ON RESERVE]
Ch. 3, Interactions
of Signs, 48-76
Ch. 4, Texts and Textualities, 77-95
Ch. 5, Genre and Intertextuality, 96-116
Ch. 6, Narrative, 117-136
Ch. 7, Discourse and Medium, 137-157
Ch. 8, Ideology, 158-179
Ch. 9, Systems and Strategies, 180-212
Ch. 10,
Other Approaches, Other Contexts, 213-223
TRAUBE, Elizabeth G. 1996. “The
Popular" in American Culture”. Annual Review of Anthropology 25:
127-151.
Stable URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0084-6570%281996%292%3A25%3C127%3A%22PIAC%3E2.0.CO%3B2-I
Abstract:
This review contrasts the relative lack of interest in
"popular culture" within anthropology with the close, increasingly
critical attention this concept has received within cultural studies.
Rejecting both a production-oriented model of a manipulative mass culture
imposed from above and a reception-oriented model of an expressive culture
of the people, cultural studies scholars broke with essentialized
conceptions and redefined the popular in Gramscian terms, as a zone of
contestation, a site where the struggle for hegemony unfolds. The review
uses this approach to relate the production of popular culture to class
formation in the United States. Against overemphasis on the ideological
effectivity of popular culture and a revisionist tendency to redefine it
in affirmative, politically essentialized terms, the review suggests that
contradictions and instabilities characterize all stages of the popular
cultural circuit: commodity, text, and lived culture.
TURKLE, Sherry. 1995. Life on the Screen: Identity
in the Age of the Internet. New York: Simon & Schuster.
Contents:
Introduction: Identity in the Age of the Internet, 9-28
[ON RESERVE]
I. The Seductions of the Interface
1. A Tale of Two Aesthetics
2. The Triumph of Tinkering
II. Of Dreams and Beasts
3. Making a Pass at a Robot
4. Taking Things at Interface Value
5. The Quality of Emergence
6. Artificial Life as the New Frontier
III. On the Internet
7.
Aspects of the Self
8. TinySex and Gender Trouble
9. Virtuality and its Discontents
10. Identity Crisis
TURNER, Terence. 1992. “Defiant
Images: The Kayapo Appropriation of Video”. Anthropology Today 8
(6): 5-16.
Stable URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0268-540X%28199212%298%3A6%3C5%3ADITKAO%3E2.0.CO%3B2-S
WARDRIP-FRUIN, Noah, and MONTFORT, Nick. 2003. The New Media Reader.
Cambridge, Mass: MIT Press.
WEIMANN,
Gabriel. 1994. The Theater of Terror: Mass Media and International
Terrorism. New York: Longman. [PN 4784 T45 W45 1994]
WEINER, James F. 1997. “Televisualist
Anthropology: Representation, Aesthetics, Politics”.
Current Anthropology 382 (Apr):
197-235.
Stable URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0011-3204%28199704%2938%3A2%3C197%3ATARAP%3E2.0.CO%3B2-S
WELLMAN,
Barry, and GULIA, Milena. 1999. “Virtual Communities as Communities: Net
Surfers Don’t Ride Alone”. In Marc A. Smith and Peter Kollock (eds),
Communities in Cyberspace, pp. 167-194. London: Routledge.
[ON RESERVE]
WEST, Harry G., and FAIR, Jo Ellen.
1993. “Development Communication and Popular Resistance in Africa: An
Examination of the Struggle over Tradition and Modernity through Media”.
African Studies Review 36 (1): 91-114.
Stable URL
(or
go to
UCCB Library website, E-resources by title, JSTOR, login and search for
item by title):
http://links.jstor.org/sici?sici=0002-0206%28199304%2936%3A1%3C91%3ADCAPRI%3E2.0.CO%3B2-L
WESTON, Mary Ann. 1996. Native Americans in the
News: Images of Indians in the Twentieth Century Press. Westport,
Conn.: Greenwood Press. [UCCB PN 4888 I52 W47 1996]
[ON RESERVE]
Contents:
Ch. 1, Indians, Images, and the News Media
Ch. 2, The 1920s: Assimilation versus Cultural Pluralism
Ch. 3, The 1930s: In New Deal Legislation, Reform Meets Reality
Ch. 4, World War II: Braves on the Warpath
Ch. 5, The 1950s: Termination and Relocation
Ch. 6, The 1960s and 1970s: Direct Action for Self-Determination
Ch. 7, The 1980s and 1990s: Talking Back to the Media
WILSON,
Samuel. M., and PETERSON, Leighton C. 2002. “The Anthropology of Online
Communities”. Annual Review of Anthropology 31: 449-67.
WORTH,
Sol, and ADAIR, John. 1972.
Through
Navajo Eyes: An Exploration in Film Communication and Anthropology.
Bloomington: Indiana University Press.
FULL TEXT available online:
http://isc.temple.edu/TNE/
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